About

Paweł Pruski is a composer and producer of electronic music, educator, and creator of projects at the intersection of sound art and new media. His artistic practice combines advanced modular synthesis techniques, generative environments (e.g., Max/MSP), and experimental algorithmic systems with a deep understanding of perception and musical structure.

He explores the relationships between biology, attention, perception, and music, translating philosophical and probabilistic concepts into sound. His projects include: Secoundsound (Sounds from Recycling) – an ecological installation based on material recovery, Resonant Affection – an interactive installation responding to participants’ physiological signals (CSW Ujazdowski Castle), Drifting Stones – a collaboration with photographer Paul Cupido (IIKKI edition), and Spatial Improvisations – a concert in 4D Spatial Audio recorded in 360° VR (MONOM Berlin). He also creates performative works, such as the Concert of Deep Listening at Teatr Łaźnia Nowa.

He performs internationally, including at Pingshan Art Museum in Shenzhen, Twenty Alpha in Hong Kong, and Oil Club in Shenzhen. In Poland, he collaborates with leading cultural institutions, such as Cricoteka, the Museum of Emigration in Gdynia, Manggha Museum, the Ethnographic Museum, and the Academy of Music in Kraków.

He is also an educator, leading workshops on sound design, modular synthesis (Eurorack, VCV Rack), and deep listening sessions for participants of all ages. The combination of advanced musical practice, interdisciplinary experimentation, and philosophical knowledge enables him to realize innovative creative and educational projects at a high level.

Pruski’s academic work includes completing doctoral studies at Jagiellonian University, with a specialization in logic and probabilistic algorithms, participation in international scientific conferences, and publications in international journals, which complement his interdisciplinary approach to music and perception.